Thursday, September 13, 2012

Schumann - Sonata No. 1 in F-sharp minor, Op. 11 - I. Un poco adagio - Allegro vivace

Performed by Maurizio Pollini

Clara Schumann, sassy Victorian pianist, gets Google Doodle honor. Google celebrates what would be her 193rd birthday.

Read more here.

Friday, May 11, 2012
Robert Schumann in an 1850 daguerreotype

Robert Schumann in an 1850 daguerreotype

Schumann - Carnaval, Op.9 - II. Pierrot

Performed by Ethella Chuprik

Saturday, May 5, 2012

Schumann - Carnaval, Op.9 - I. Préambule

Performed by Ethella Chuprik

Tuesday, March 27, 2012
I cannot give a single concert at which I do not play one piece after the other in an agony of terror because my memory threatens to fail me. This fear torments me for days beforehand. Clara Schumann
Monday, March 26, 2012

Schumann - Fantasy Piece Op. 12 No. 1

Performed by Eric Barnhill

Sunday, March 25, 2012
Manuscript Sketches of Études symphoniques, Op. 13; ca. 1834
In 1834, Schumann fell in love with Ernestine von Fricken, a piano student of Friedrich Wieck, and for a time they seemed destined to marry. The relationship did not last—Schumann got cold feet after he learned that she had been born out of wedlock—but it inspired some notable music. Carnaval, Op. 9, a set of character pieces for piano, is based on a four-note motive derived from the name of Ernestine’s home town. The Etudes symphoniques, Op. 13, are variations on a theme by Ernestine’s father, Ignaz Ferdinand von Fricken, a nobleman and amateur composer. Of course, Schumann eventually transferred his affections to Clara Wieck, and it was she who gave the first performance of the Etudes symphoniques, in 1837. The piece was published by Haslinger that same year, with a dedication to the English composer William Sterndale Bennett rather than to Ernestine. A revised version appeared in 1852.
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Manuscript Sketches of Études symphoniques, Op. 13; ca. 1834

In 1834, Schumann fell in love with Ernestine von Fricken, a piano student of Friedrich Wieck, and for a time they seemed destined to marry. The relationship did not last—Schumann got cold feet after he learned that she had been born out of wedlock—but it inspired some notable music. Carnaval, Op. 9, a set of character pieces for piano, is based on a four-note motive derived from the name of Ernestine’s home town. The Etudes symphoniques, Op. 13, are variations on a theme by Ernestine’s father, Ignaz Ferdinand von Fricken, a nobleman and amateur composer. Of course, Schumann eventually transferred his affections to Clara Wieck, and it was she who gave the first performance of the Etudes symphoniques, in 1837. The piece was published by Haslinger that same year, with a dedication to the English composer William Sterndale Bennett rather than to Ernestine. A revised version appeared in 1852.

(Read More)

Friday, March 23, 2012
Music Room of Robert Schumann

Music Room of Robert Schumann

Schumann - Cello Concerto in A major, Op. 129 - III. Sehr lebhaft

Performed by Yo-Yo Ma with the Bavarian Radio Symphony Orchestra and Sir Colin Davis conducting

Thursday, March 22, 2012
For me, music is always the language which permits one to converse with the beyond. Robert Schumann
Wednesday, March 21, 2012

Schumann - Cello Concerto in A major, Op. 129 - II. Langsam

Performed by Yo-Yo Ma with the Bavarian Radio Symphony Orchestra and Sir Colin Davis conducting

Tuesday, March 20, 2012

Schumann - Cello Concerto in A major, Op. 129 - I. Nicht zu schnell

Performed by Yo-Yo Ma with Bavarian Radio Symphony Orchestra and Sir Colin Davis conducting

Monday, November 22, 2010

Schumann/Liszt - Liebeslied

Piano - Yundi Li

Saturday, October 9, 2010

Schumann - Kinderszenen Op. 20 No. 1 - Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)

Piano - Vladimir Horowitz