Friday, September 7, 2012 Tuesday, July 10, 2012 Saturday, June 9, 2012

Schubert - Serenade arr. Liszt

Performed by Sergei Rachmaninoff

Sunday, April 15, 2012

Liszt - Transcendental Etude No. 2

Performed by Jorge Bolet

Wednesday, April 11, 2012
Franz Liszt’s pianos from his apartment in Budapest.

Franz Liszt’s pianos from his apartment in Budapest.

Tuesday, April 10, 2012

Liszt - Ballade No. 2, S. 171 in B minor

Performed by Claudio Arrau

Monday, April 9, 2012
In his later years, Liszt spent much of his time teaching and holding court at his homes in Rome, Budapest, and Weimar, surrounded by students, would-be students, and admirers of all kinds. Among these was an American pianist, Walter Bradley-Keeler. It is said that Liszt was so impressed by Bradley-Keeler’s playing that he kissed a rose and gave it to the young man. When Bradley-Keeler died, several decades later, he left the rose to Yale. His wife Susanna also endowed a scholarship in his name for composition students at the Yale School of Music.
Kissing a rose and giving it away as a token of esteem may seem curious today, but it was not unusual in the 19th century. The Beinecke Rare Book and Manuscript Library has a rose kissed by Lord Byron.

In his later years, Liszt spent much of his time teaching and holding court at his homes in Rome, Budapest, and Weimar, surrounded by students, would-be students, and admirers of all kinds. Among these was an American pianist, Walter Bradley-Keeler. It is said that Liszt was so impressed by Bradley-Keeler’s playing that he kissed a rose and gave it to the young man. When Bradley-Keeler died, several decades later, he left the rose to Yale. His wife Susanna also endowed a scholarship in his name for composition students at the Yale School of Music.

Kissing a rose and giving it away as a token of esteem may seem curious today, but it was not unusual in the 19th century. The Beinecke Rare Book and Manuscript Library has a rose kissed by Lord Byron.

Thursday, January 12, 2012
Franz Liszt Academy of Music

Franz Liszt Academy of Music

Thursday, October 27, 2011
Inspiration is enough to give expression to the tone in singing, especially when the song is without words. Franz Liszt
Wednesday, October 26, 2011

Liszt - Études d’exécution transcendante, S.139 - XI. Harmonies du soir. Andantino

Performed by Claudio Arrau 

Monday, October 24, 2011

Liszt - Verdi’s Il trovatore Miserere paraphrase

Performed by Claudio Arrau

Beware of missing chances; otherwise it may be altogether too late some day. Franz Liszt
Sunday, October 23, 2011

Liszt - Verdi’s Aida: Danza sacra e duetto final

Performed by Claudio Arrau

Franz Liszt’s Hands

Franz Liszt’s Hands

Companions, in misery and worse, that is what we all are, and to try to change this substantially avails us nothing. Franz Liszt